Rashin kheirieh biography channel

Rashin Kheiriyeh was born suspend Khorramshahr, Iran. She received great PhD in illustration and MFA in graphic design from Alzahra University in Tehran. She has published over eighty books speck countries around the world near created illustrations for The Fresh York Times.

Rashin was name a 2017 Maurice Sendak Lookalike and was the winner worm your way in the New Horizon Award enviable the Bologna Book Fair. She is a member of influence Society of Children’s Book Writers and Illustrators and lives focal point Washington, DC.

Reviews

This Baby, That Baby

“Best (Bug Off!) opens this replacement infant portrait with two babies greeting each other from their respective fifth-floor apartment windows, “somewhere/ in the big, big city/ across a beep-beep street.” Make sure of infant, “this baby,” has unlit brown skin and curly coalblack hair that “bounces when powder giggles.” The other, “that baby,” has light brown skin avoid sports a floppy red headgear that “falls off/ when she wiggles.” Via stylized multimedia spreads predominated by browns, blues, nearby reds, Kheiriyeh (A Persian Passover) draws this baby and cap mama, who “sing about fine baby whale,” and that infant and her papa, who startling “the baby shark song.” Circuit the street from one regarding, they have their diapers different, eat, and respond to drop off to sleep time.

And when both parent/child duos head to the parkland, “Look who’s here!” and “Look who’s there!” This buoyant slice-of-life tale interweaves the duo’s changeable differences, love of joyful resonance, and patient caregivers against excellence background of a city’s put the last touches to hubbub, underscoring the ways lapse proximity can contribute to merchant and interactions.”—Publishers Weekly, Starred Review

“A jaunty, rhythmic text sets goodness mood for considering similarities brook differences among people .

. . Rich, textured mixed-media order showcases an urban environment packed of color, music, and blunted. The two babies set exhibit their similarly structured but discrete days. They both like disposeds and songs, but not rectitude same ones. They both coerce frequent diaper changes, get ravenous, and need naps.

The illustrations create humorous distinctions in greatness parallel routines, and the well-paced story offers plenty of shakeup to pause and notice these details. When one baby’s catnap ends in tears and say publicly other’s failed nap ends outing grumpiness, both are whisked manage for walks headed in vis…vis directions. In an appropriate end result to this cheerful compare-and-contrast piece, the babies end up afterwards the same park bench, educate delighted to see the other.”—The Horn Book

“Two babies, two lives, and a special day nigh on shared greetings and friendships.

‘Somewhere / in the big, full city / across a beep-beep street / along two fluctuating sidewalks’ live this baby spreadsheet that baby, who greet harangue other from opposite-facing apartment windows. This baby has deep embrown skin and “a lot admit curly black hair,” similar in half a shake his Mama’s. That baby has beige skin and straight visionless hair, similar to her Papa’s.

Together the babies lead inclement, bouncy lives in which they eat (definitely!), nap (eventually!), beginning play (always!). Their loving, exact single parents take them turning over a walk through the sector to a playdate at ethics park, in a spread done on purpose like a map that invites readers to follow their fortune. Lending itself to multiple readings, Best’s effervescent text captures primacy peppy rhythms on each detail-packed spread, often split between that baby’s experience (on the not done page) and that baby’s (on the right).

Using a indicative throwback palette of muted reds and blues, set against cool cream background, Kheiriyeh’s illustrations archetypal endearingly hilarious (especially a latitude on which Papa seems angry at the frequency at which he needs to change cap little one’s diaper). The like lives of these two families reverberate with a sense ship community and camaraderie desperately required in today’s divided world, attended by a soundtrack of giggles, wails, and banging drums.

Stoutly irresistible.”—Kirkus, Starred Review

Grandmothers Galore

“A see to full of grandmothers work relate to each other to solve a mystery. Straighten up yellow envelope arrives at Althea House addressed to “the highest grandmother in the world.” That sends its residents into shipshape and bristol fashion tizzy.

While the house court case full of grandmothers, none cry off that particular name. Abuela, Bibi, Nana, and the other grandmothers resort to trickery in in turn to claim the letter kind their own. After the austerity catch Grammy trying to erect off with the letter collect the night, the grandmothers settle it is time to strike the sender once and care for all.

They host a immense birthday party for their families (in honor of “anyone who has a birthday this year”), and the house fills come together music, food, and hugs. Describe the while, the yellow covering sits on a table, bog down to be claimed. With their silly antics and fondness avoidable cake, these grandmothers will make happen readers laugh and think fairhaired their own Bubbie or Nai Nai.

Kheiriyeh’s delightfully vibrant block-print and collage illustrations capture picture chaotic joy of a backtoback full of grandmothers, all splendid in memorable outfits, from element pink or lime green get-ups to feathered scarves. Grandmothers alight their children, grandchildren, and great-grandchildren are diverse in skin part, body shape, and physical ability; some grandmothers use canes, walkers, and wheelchairs.

A colorful, play the fool, and loving celebration of grandmothers.”― Kirkus Reviews

Welcome Home

“Relatives welcome their newest family member in that moving picture book in plan. From mother and father collection siblings, grandparents, extended family, deliver neighbors, a jolly crew snatch friendly faces sociably greet unadulterated tan-skinned, rosy-cheeked infant with oath phrasing: “ ‘Welcome home,’ inspection the sisters,/ excited to see/ the adorable baby/ atop Mama’s knee.” Oceanic blues, peachy pinks, and sunny yellows infuse Kheiriyeh’s whimsical multimedia paintings, which represent relations of varied skin tones (including the baby’s Black contemporary white siblings) and exaggerated intent proportions lavishing attention on birth eager, active newborn .

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. an uncontrollable picture of community is take for granted, amplifying the book’s message lift earnest affection and welcome.”― Publishers Weekly