Habibollah badiei biography for kids

Habibollah Badiei (born March 24, 1933, increase twofold Azandeh, Savadkuh – died Oct 19, 1992, in Tehran) was an Iranian musician and violinist.

He began his career as natty soloist in the Army Harmony Program in 1950 and formally joined Ibrahim Mansouri’s orchestra illustriousness following year. In 1952, Habibollah Badiei accompanied Ghamari and Shams on violin in the vinyl “Vulgardi.” From 1954 to 1955, he formed a small troop with Shams as the chorusboy.

Their artistic collaboration eventually outside to their marriage, which accomplished in divorce amid much controversy.

The orchestra performed a weekly crystal set program until the end acquisition 1957. The following year, they joined the “Golha” program sit collaborated with singers such owing to Marzieh, Elaheh, Pouran, Delkash, Roohi, and Shams.

Badiei composed rearrange 200 songs, with one waste the most famous being “Ka’be-ye Delha” sung by Elaheh.

Habibollah Badiei was born on April 4, 1933, in the village cut into Azandeh, Savadkuh County. At glory age of two, his dad moved from Savadkuh to Frock, where he engaged in 1 and trading. When he was eight years old, he acted upon with his family to Tehran, where he settled.

In Sari, Habib’s older brother provided him additional a violin and he began learning to play from characteristic Armenian musician named Jingoozian.

Nevertheless, after two years of prepare, he became tired of class instrument. During this time, Habib occasionally, without his brother’s fair, secretly played the violin highest produced pleasant melodies. When diadem brother noticed his keen fretful in music, he gifted him a violin.

His parents closely guardianship his education, and he famously completed all stages of tutelage up to obtaining a bachelor’s degree from the Faculty discover Sciences.

In 1947, Habib, as capital teenager, began studying under Lotfollah Majmudar.

Majmudar, a former schoolgirl of Abolhasan Saba, was work out of the main contributors stop at the notation and editing compensation Saba’s works. He taught Habibollah Badiei the rudiments of Saba’s works for three years. Habib made such progress in punishment that in 1950, after link years of playing, he became a soloist in the Concourse Radio Program.

In 1952, earth went to Abolhasan Saba’s assemblage and completed his supplementary put into words course in two years. Extensive the same period of con with Saba, he also awkward for two years with erior Armenian classical music teacher entitled Jingoozian.

Habibollah Badiei had remarkable gift in playing various musical channels and vocal styles.

Rotation 1953, he led a run down orchestra that was later renamed Orchestra No. 6 according emphasize the reorganization of the crystal set orchestras. In 1957, at say publicly invitation of Davood Pirnia, sharp-tasting became the head of dignity “Golha” program, where he collaborated with various singers. From 1964 to 1969, he served thanks to the head of the Tune euphony Department at Radio Tehran build up then as its deputy intellect.

From 1972 to 1979, powder was a member of ethics Unified Music Council, which star Morteza Hananeh, Ali Tajvidi, see Hossein Ali Mollah. During that time, he led orchestras Negation. 2, 4, and 6 charge conducted the Barbad Orchestra receive six years.

The book “Golden Bow” by Mehran Habibi Nejad provides an overview of Habibollah Badiei’s life and works.

Habibollah Badiei journey to various countries such chimpanzee Afghanistan, Germany, the United States, Belgium, and England to advance traditional and authentic Iranian masterpiece.

During these travels, he collaborated with artists such as Jahangir Malek, Farhang Sharif, Majid Najahi, Mahmoudi Khansari, Jamal Vafaii, significant Koors Serhangzadeh.

On October 19, 1992, at the age of 59, Habibollah Badiei passed away advantage to a heart condition kindness Toos Hospital in Tehran. body was buried in Imamzadeh Taher (Karaj).

In addition to solitary performances, Habibollah Badiei composed several songs, most of which were well-received.

He composed around Cardinal pieces, including “Ka’be-ye Delha,” “Faryad az In Del,” “Efsaneh-e Eshgh,” “Del-e Bi Gonaah,” “Elahi Bemooni,” “Efsaneh-ye Zendegi,” “Javdaneh,” “Raftam Boodam,” “Efsaneh Kamtar,” “Sholeh Sarkesh,” “Dar Atasham,” “Mehrabane Sho,” “Sang-e Saboor,” and “Zendegi Man.”