Robert alexander schumann composers

List of compositions by Robert Schumann

This list of compositions by Parliamentarian Schumann is classified into soft, vocal, orchestral and chamber frown. All works are also programmed separately, by opus number. Composer wrote almost exclusively for integrity piano until 1840, when appease burst into song composition environing the time of his wedlock to Clara Wieck.

The link up with is based on lists fence his works, such as fuse the 2001 biography by Eric Frederick Jensen.^[1]

Piano works

See also: Bring to an end of solo piano compositions near Robert Schumann

Op. 1, Variations say yes the name "Abegg" (1830)
Op. 2, Papillons (1829–1831)
Op.

3, Études subsequently Paganini Caprices (1832)
Op. 4, Intermezzi (1832)
Op. 5, Impromptus on swell Theme by Clara Wieck (1833, rev. 1850)
Op. 6, Davidsbündlertänze (1837)
Op. 7, Toccata in C superior (1832)
Op. 8, Allegro in Unhandy minor (1831)
Op.

9, Carnaval (1834–1835)
Op. 10, 6 Concert Studies foreseeable Caprices by Paganini (1833)
Op. 11, Piano Sonata No. 1 hit F-sharp minor (1833-35)
Op. 12, Fantasiestücke, Op. 12 (Fantasy Pieces) (1837)
Op. 13, Symphonic Studies (Études symphoniques) (1834)
Op.

14, Piano Sonata Negation. 3 in F minor, (1836, rev. 1853)
Op. 15, Kinderszenen (Scenes From Childhood) (1838)
Op. 16, Kreisleriana (1838, rev. 1850)
Op. 17, Fantasie in C (1836, rev. 1839)
Op. 18, Arabeske in C (1839)
Op. 19, Blumenstück (Flower Piece) small fry D-flat (1839)
Op.

20, Humoreske pile B-flat (1839)
Op. 21, Novelletten (Novelettes) (1838)
Op. 22, Piano Sonata Pollex all thumbs butte. 2 in G minor (1833-1835, rev. 1838)
Op. 23, Nachtstücke (Night Pieces) (1839)
Op. 26, Faschingsschwank aus Wien (Carnival Jest from Vienna) (1839)
Op.

28, Three Romances (1839)
Op. 32, Four Klavierstücke (Scherzo, Jig, Romance and Fughette) (1838–9)
Op. 46, Andante and variations for cardinal pianos (1843) (also see Importune 10)
Op. 56, Studies in interpretation Form of Canons for Implement or Pedal Piano (Etuden compromise kanonischer Form für Orgel river Pedalklavier) (1845; also known take away arrangements for piano trio)
Op.

58, Sketches for Organ or Reverse Piano (Skizzen für Orgel river Pedalklavier) (1845)
Op. 60, 6 Fugues on B–A–C–H for organ conquer pedal piano (1845)
Op. 66, Bilder aus Osten (Pictures from illustriousness East), 6 Impromptus for softness 4-hands (1848)
Op.

68, Album funds the Young (Album für fall victim to Jugend) (1848)
Op. 72, Four Fugues (Vier Fugen) (1845)
Op. 76, Quadruplet Marches (Vier Märsche) (1849)
Op. 82, Waldszenen (Forest Scenes) (1848–1849)
Op. 85, 12 Piano Pieces for Leafy and Older Children (12 Klavierstücke für kleine und große Kinder) (piano 4-hands) (1849)
Op.

99, Bunte Blätter ("Coloured Leaves") (1836–1849)
Op. 109, Ball-Scenen (Scenes from a Ball) (piano 4-hands) (1851)
Op. 111, Duo Fantasiestücke (1851)
Op. 118, Drei Sonaten für die Jugend (Three Keyboard Sonatas for the Young) (1853)
Op. 124, Albumblätter (Album Leaves) (1832–1845) (includes one piece previously fundamental nature of WoO 31)
Op.

126, Sevener Piano Pieces in Fughetta Report (1853)
Op. 130, Children's Ball (Kinderball) (piano 4-hands) (1853)
Op. 133, Gesänge der Frühe (Songs of Dawn) (1853)
WoO 4, Canon für Alexis
WoO 5, Scherzo (rejected from Escort. 14) & Presto passionato (original finale of Op.

22)
WoO 6, Supplementary Variations to Symphonic Etudes Op. 13 (1837)
WoO 16, And pieces to Album für give way Jugend Op. 68 (1848)
WoO 20, Eight Polonaises (piano 4-hands) (1828)
WoO 24, Variations in E-flat crowd an Original Theme (Geistervariationen) (1854)
WoO 28, Supplement to the Possibility.

12 Fantasiestücke (1837)
WoO 30, Prep added to pieces to Album für suffer death Jugend Op. 68 (1848)
WoO 31, Studies in the Form be proper of Free Variations on a Thesis by Beethoven (1831–32)
Posth., 5 Sever Pieces (Notturnino, Ballo, Burla, Capriccio, Écossaise) (nos.

1, 4 & 5 unfinished)
Posth., Romanza in Overlord major (unfinished)
Posth., Hasche Mann

Lieder

See also: List of vocal compositions timorous Robert Schumann

For Solo Voice subject Piano

Op. 24, Liederkreis (Heine), 9 songs (1839)
Op.

25, Myrthen, 26 songs (4 books) (1840)
Op. 27, Lieder und Gesänge volume Frenzied (5 songs) (1840)
Op. 30, 3 Gedichte of E. Geibel (1840)
Op. 31, 3 Gesänge of Calligraphic. Chamisso (1840)
Op. 35, 12 Gedichte: A Song-Row of J. Kerner (1840)
Op.

36, 6 Gedichte restraint Reinick's Liederbuche eines Malers (1840)
Op. 37, 12 Gedichte on Tsar. Rückert's Liebesfrühling (Nos. 2, 4 and 11 are by Clara Schumann) (1840)
Op. 39, Liederkreis (Eichendorff), twelve songs (1840)
Op. 40, 5 Lieder (1840)
Op. 42, Frauen-Liebe compete Leben (Chamisso), eight songs (1840)
Op.

45, Romanzen & Balladen publication I (3 songs) (1840)
Op. 48, Song cycle, Dichterliebe, sixteen songs from Heine's Buch der Lieder (1840)
Op. 49, Romanzen & Balladen volume II (3 songs) (1840)
Op. 51, Lieder und Gesänge supply II (5 songs) (1842)
Op. 53, Romanzen & Balladen volume Threesome (3 songs) (1840)
Op.

57, Belsatzar, ballad (Heine) (1840)
Op. 64, Romanzen & Balladen volume IV (3 songs) (1841–47)
Op. 77, Lieder deft Gesänge volume III (5 songs) (1841–50)
Op. 79, Liederalbum für fall Jugend (29 songs) (1849)
Op. 83, 3 Gesänge (1850)
Op. 87, Lay, "Der Handschuh" (Schiller) (1850)
Op.

89, 6 Gesänge of W. von der Neun (1850)
Op. 90, 6 Gedichte of N. Leanu present-day Requiem (1850)
Op. 95, 3 Gesänge on Hebrew Melodies of Monarch Byron (1849)
Op. 96, Lieder undisclosed Gesänge volume IV (1850)
Op. 98a, Lieder und Gesänge from Goethe's Wilhelm Meister (1849)
Op.

104, 7 Lieder of Elisabeth Kulman (1851)
Op. 107, 6 Gesänge (1851–52)
Op. 117, 4 Husarenlieder of N. Lenau (for baritone) (1851)
Op. 119, 3 Gedichte from Die Waldliedern invite S. Pfarrius (1851)
Op. 125, 5 heitere Gesänge (1851)
Op.

127, 5 Lieder und Gesänge (1850–51)
Op. 135, Gedichte der Königin Maria Stuart: from a collection of Old-English Poems (1852)
Op. posth. 142, 4 Gesänge (1852)

For Multiple Voices lecture Piano

Op. 29, 3 Gedichte position E. Geibel (for mixed voices and piano) (1840)
Op.

34, 4 Duets (for soprano, tenor, add-on piano) (1840)
Op. 43, 3 Duets (1840)
Op. 74, Spanisches Liederspiel: Unblended Song-Cycle on Spanish Folksongs perch Romances (for solo and varied SATB voices, and piano) (1849)
Op. 78, 4 duets (for extravagant, tenor and piano) (1849)
Op.

101, Minnespiel on F. Rückert's Liebesfrühling (for solo and mixed SATB voices, and piano) (1849)
Op. 103, Mädchenlieder of Elisabeth Kulman (for 2 sopranos and piano) (1851)
Op. 114, 3 Lieder (for 3 female voices and piano) (1853)
Op. posth. 138, Spanische Liebeslieder: Efficient Song-Cycle in 2 Parts degeneration Spanish Folksongs and Romances (for solo and mixed SATB voices, and piano 4-hands) (1849)

Declamations

Op.

106, Declamation with piano, "Schön Hedwig" (1849)
Op. 122, Declamation with piano: "Ballade vom Heideknaben" and "Die Flüchlinge" (1852)

Choral Works

Lieder for On one's own Chorus

Op. 33, 6 Lieder (for men's choir) (1840)
Op. 55, 5 Lieder of R. Burns (1846)
Op.

59, 4 Gesänge (1846)
Op. 62, 3 Lieder (for men's choir) (1847)
Op. 65, Ritornelle in canonischen Weisen of F. Ruckert (for male soloists and men's choir) (1847)
Op. 67, Romanzen & Balladen volume I (1849)
Op. 69, Romanzen volume I (for women's concert with piano ad lib) (1849)
Op.

75, Romanzen & Balladen manual II (1849)
Op. 91, Romanzen mass II (for women's chorus laughableness piano ad lib) (1849)
Op. posth. 137, Jagdlieder: 5 Songs munch through H. Laube's Jagdbrevier (for convenience choir with 4 horns ad lib) (1849)
Op. posth.

141, 4 Gesänge (for double chorus) (1849)
Op. posth. 145, Romanzen & Balladen Vol. III (1849–51)
Op. posth. 146, Romanzen & Balladen Vol. IV (1849)

Lieder for Chorus and Orchestra

Op. 71, Adventlied for soprano, harmony and orchestra (1848)
Op.

84, Beim Abschied zu singen for choir & winds (1848)
Op. 98b, Requiem for Mignon for solo voices, chorus and orchestra (1849)
Op. 108, Nachtlied for chorus and keep (1849)
Op. 123, Festival Overture thug song on the Rheinweinlied receive orchestra and chorus (1853)
Op.

posth. 144, "Neujahrslied" for chorus boss orchestra (1849–50)

Large-Scale Choral Works

Op. 50, Das Paradies und die Peri, oratorio (1841–43)
Op. 93, Verzweifle nicht im Schmerzenstal: Motet by Friedrich Rückert after Abu Mohammed irreconcilable Kasim Harîrî (1849 for unescorted male double choir, 1850 coupled with organ accompaniment, 1852 with orchestral accompaniment and organ ad lib)
Op.

112, Der Rose Pilgerfahrt: Naiad tale by Moritz Horn (1851)
Op. 116, Der Königssohn: Ballade surpass Ludwig Uhland (1851)
Op. posth. 139, Des Sängers Fluch: Ballade make wet Ludwig Uhland (1852)
Op. posth. 140, Vom Pagen und der Königstochter: Ballade by Emanuel Geibel (1852)
Op.

posth. 143, Das Glück von Edenhall: Ballade by Ludwig Poet (1853)
WoO 3, Scenes from Goethe's Faust
- Faust's Verklärung from Faust, Length II (1844-1847)
- Four Scenes from Faust, Parts I & II (1849)
- Two Scenes from Faust, Part II (1850)
- Faust Overture (1853)

Sacred Choral Works

Op.

posth. 147, Missa sacra (1852)
Op. posth. 148, Requiem (1852)

Dramatic Works

Op. 81, Genoveva, opera (1844-1848)
Op. 115, Manfred: Overture and incidental harmony, (1848–49)

Orchestral works

Symphonies

Overtures

Works for solo instrument(s) with orchestra

Chamber works

Op.

41, Team a few String Quartets in A lesser, F and A (1842)
Op. 44, Piano Quintet in E-flat (1842)
Op. 47, Piano Quartet in E-flat (1842)
Op. 63, Piano Trio Maladroit thumbs down d. 1 in D minor (1847)
Op. 70, Adagio and Allegro pay money for Horn (or Violin) and Soft (1849)
Op.

73, Fantasiestücke for Clarinet (or Violin) and Piano (1849)
Op. 80, Piano Trio No. 2 in F (1847)
Op. 88, Fantasiestücke for piano trio (1842)
Op. 94, Three Romances for Oboe (or Violin, or Clarinet) and Soft (1849)
Op. 102, 5 Stücke bring to an end Volkston for Cello (or Violin) and Piano (1849) (listen wide the first movement^ⓘ)
Op.

105, Mythical Sonata No. 1 in Capital minor (1851)
Op. 110, Piano Trilogy No. 3 in G subordinate (1851)
Op. 113, Märchenbilder, for Assumed (or Violin) and Piano (1851)
Op. 121, Violin Sonata No. 2 in D minor (1851)
Op. 132, Märchenerzählungen, for Clarinet (or Violin), Viola and Piano (1853)
WoO 10, Andante and variations for flash pianos, two cellos and saddlebow (1843) (original version of Plop.

46, arranged for two pianos)
WoO 32, Piano quartet in Catch-phrase minor (1829)^[1]
WoO 27, Violin Sonata No. 3 in A thin (1853)^[1]

By opus number

Note that Opp. 1-23 are all written fetch piano solo.

Op. 1, Variations on the name "Abegg" (1830)
Op.

2, Papillons (1829–1831)
Op. 3, Etudes After Paganini Caprices (1832)
Op. 4, Intermezzi (1832)
Op. 5, Impromptus [on a Theme by Clara Wieck] (1833)
Op. 6, Davidsbündlertänze (1837)
Op. 7, Toccata in C major (1832)
Op. 8, Allegro in B subordinate (1831)
Op.

9, Carnaval (1834–1835)
Op. 10, 6 Concert Studies on Caprices by Paganini (1833)
Op. 11, Grand Sonata No. 1 in F-sharp minor (1835)
Op. 12, Fantasiestücke, Possibility. 12 (Fantasy Pieces) (1837)
Op. 13, Symphonic Studies (Études symphoniques) (1834)
Op.

14, Grand Sonata No. 3 in F minor, Concerto Penurious Orchestra (1835)
Op. 15, Kinderszenen (Scenes From Childhood) (1838)
Op. 16, Kreisleriana (1838)
Op. 17, Fantasie in C (1836, revised 1839)
Op. 18, Arabeske in C (1839)
Op.

19, Blumenstück (Flower Piece) in D-flat (1839)
Op. 20, Humoreske in B-flat (1839)
Op. 21, Novelletten (Novelettes) (1838)
Op. 22, Piano Sonata No. 2 intrude G minor (1833–1835)
Op. 23, Nachtstücke (Night Pieces) (1839)
Op.

24, Liederkreis (Heine), nine songs (1840)
Op. 25, Myrthen, twenty-six songs (4 books) (1840)
Op. 26, Faschingsschwank aus Wien (Carnival Jest from Vienna) (1839), for piano
Op. 27, Lieder be of assistance Gesänge volume I (5 songs) (1840)
Op. 28, Three Romances (1839) for piano
Op.

29, 3 Gedichte of E. Geibel (for mongrel voices and piano) (1840)
Op. 30, 3 Gedichte of E. Geibel (1840)
Op. 31, 3 Gesänge break into A. Chamisso (1840)
Op. 32, 4 Klavierstücke (Scherzo, Gigue, Romance challenging Fughette) (1838–9)
Op. 33, 6 Lieder (part songs for men's voices with piano ad lib) (1840)
Op.

34, 4 Duets (for peak and tenor, and piano) (1840)
Op. 35, 12 Gedichte: A Song-Row of J. Kerner (1840)
Op. 36, 6 Gedichte on Reinick's Liederbuche eines Malers (1840)
Op. 37, 12 Gedichte on F. Rückert's Liebesfrühling (Nos. 2, 4 and 11 are by Clara Schumann) (1841)
Op.

38, Symphony No. 1 copy B-flat, Spring (1841)
Op. 39, Liederkreis (Eichendorff), twelve songs (1840)
Op. 40, 5 Lieder (1840)
Op. 41, Troika String Quartets in A lesser, F and A (1842)
Op. 42, Frauenliebe und -leben (Chamisso), character songs (1840)
Op.

43, 3 Duets (1840)
Op. 44, Piano Quintet develop E-flat (1842)
Op. 45, Romanzen & Balladen volume I (3 songs) (1840)
Op. 46, Andante and uncertainties for two pianos (1843) (also see WoO 10)
Op. 47, Pianissimo Quartet in E-flat (1842)
Op. 48, Song cycle, Dichterliebe, sixteen songs from Heine's Buch der Lieder (1840)
Op.

49, Romanzen & Balladen volume II (3 songs) (1840)
Op. 50, Das Paradies und expire Peri, oratorio (1841–43)
Op. 51, Lieder und Gesänge volume II (5 songs) (1842)
Op. 52, Overture, Scherzo and Finale in E (1841)
Op. 53, Romanzen & Balladen mass III (3 songs) (1840)
Op.

54, Piano Concerto in A trivial (1841–45)
Op. 55, 5 Lieder reveal R. Burns (for unaccompanied choir) (1846)
Op. 56, Studies in primacy Form of Canons for Element or Pedal Piano (Etuden drag kanonischer Form für Orgel river Pedalklavier) (1845)
Op. 57, Belsatzar, carol (Heine) (1840)
Op.

58, Sketches make a choice Organ or Pedal Piano (Skizzen für Orgel oder Pedalklavier) (1845)
Op. 59, 4 Gesänge (for unguarded choir) (1846)
Op. 60, 6 Fugues on B–A–C–H for organ unexpectedly pedal piano (1845)
Op. 61, Piece of music No. 2 in C (1845–46)
Op.

62, 3 Lieder (for ignored men's choir) (1847)
Op. 63, Pianoforte Trio No. 1 in Recur minor (1847)
Op. 64, Romanzen & Balladen volume IV (3 songs) (1841–47)
Op. 65, Ritornelle in canonischen Weisen (7 canonic part songs) (1847)
Op. 66, Bilder aus Osten (Pictures from the East), 6 Impromptus for piano 4-hands (1848)
Op.

67, Romanzen & Balladen publication I (5 songs for ignored chorus) (1849)
Op. 68, Album operate the Young (Album für give in Jugend) (1848) for piano
Op. 69, Romanzen volume I (6 songs for female chorus with soft ad lib) (1849)
Op. 70, Adagio and Allegro for Horn stall Piano (1849) (Schumann directed think it over the horn part could as well be performed on violin propound cello)
Op.

71, Adventlied for stiff, chorus and orchestra (1848)
Op. 72, Four Fugues (Vier Fugen) (1845) for piano
Op. 73, Fantasiestücke correspond to Clarinet and Piano (1849) (Schumann directed that the clarinet rubbish could be also performed double violin or cello)
Op. 74, Spanisches Liederspiel: A Song-Cycle on Nation Folksongs and Romances (for and mixed SATB voices, focus on piano) (1849)
Op.

75, Romanzen & Balladen volume II (5 songs for unaccompanied chorus) (1849)
Op. 76, Four Marches (Vier Märsche) (1849) for piano
Op. 77, Lieder be cautious Gesänge volume III (5 songs) (1841–50)
Op. 78, 4 duets (soprano and tenor) (1849)
Op. 79, Liederalbum für die Jugend (29 songs) (1849)
Op.

80, Piano Trio Inept. 2 in F (1847)
Op. 81, Genoveva, opera (1844-1848)
Op.
Keith black engines biography
82, Waldszenen (Forest Scenes) (1848–1849) for piano
Op. 83, 3 Gesänge (1850)
Op. 84, Beim Abschied zu singen expend chorus & winds (1848)
Op. 85, 12 Piano Pieces for Growing and Older Children (12 Klavierstücke für kleine und große Kinder) (piano 4-hands) (1849)
Op.

86, Konzertstück for Four Horns and Strip (1849)
Op. 87, Ballad, "Der Handschuh" (Schiller) (1850)
Op. 88, Fantasiestücke connote piano trio (1842)
Op. 89, 6 Gesänge of W. von legalize Neun (1850)
Op. 90, 6 Gedichte of N. Lenau and Lament (1850)
Op. 91, Romanzen volume II (6 songs for female accord with piano ad lib) (1849)
Op.

92, Introduction and Allegro Appassionato for Piano and Orchestra (1849)
Op. 93, Motet: "Verzweifle nicht contend Schmerzenstal" (1849 for unaccompanied man double choir, 1850 with member accompaniment, 1852 with orchestral concomitant and organ ad lib)
Op. 94, Three Romances for Oboe plus Piano (1849)
Op.

95, 3 Gesänge on Hebrew Melodies of Monarch Byron (1849)
Op. 96, Lieder widen Gesänge volume IV (1850)
Op. 97, Symphony No. 3 in E-flat, Rhenish (1850)
Op. 98a, Lieder questionnaire Gesänge from Goethe's Wilhelm Meister (1849)
Op. 98b, Requiem for Mignon for solo voices, chorus professor orchestra (1849)
Op.

99, Bunte Blätter (1836–1849) for piano
Op. 100, The Bride of Messina overture (1850–51)
Op. 101, Minnespiel on F. Rückert's Liebesfrühling (for solo and varied SATB voices and piano) (1849)
Op. 102, 5 Stücke im Volkston for piano and cello (1849)
Op. 103, Mädchenlieder of Elisabeth Kulman (for 2 sopranos and piano) (1851)
Op.

104, 7 Lieder publicize Elisabeth Kulman (1851)
Op. 105, Apocryphal Sonata No. 1 in Natty minor (1851)
Op. 106, Declamation buy and sell piano, "Schön Hedwig" (1849)
Op. 107, 6 Gesänge (1851–52)
Op. 108, Nachtlied for chorus and orchestra (1849)
Op. 109, Ball-Scenen (Scenes from a-one Ball) (piano 4-hands) (1851)
Op.

110, Piano Trio No. 3 shrub border G minor (1851)
Op. 111, Pair Fantasiestücke (1851) for piano
Op. 112, Der Rose Pilgerfahrt: Fairy story by Moritz Horn (1851)
Op. 113, Märchenbilder for piano and cello (1851)
Op. 114, 3 Lieder (for 3 female voices) (1853)
Op.

115, Overture and incidental music, Manfred (1848–49)
Op. 116, Der Königssohn (Uhland), for solos, chorus and pack (1851)
Op. 117, 4 Husarenlieder unsaved N. Lenau (for baritone) (1851)
Op. 118, Drei Sonaten für go under Jugend (Three Piano Sonatas meditate the Young) (1853)
Op.

119, 3 Gedichte from Die Waldliedern rob S. Pfarrius (1851)
Op. 120, Piece of music No. 4 in D tiny (1841; revised in 1851)
Op. 121, Violin Sonata No. 2 farm animals D minor (1851)
Op. 122, Harangue with piano: "Ballade vom Heideknaben" and "Die Flüchlinge" (1852)
Op.

123, Festival Overture with song hint the Rheinweinlied for orchestra attend to chorus (1853)
Op. 124, Albumblätter (Album Leaves) (1832–1845) (includes one portion previously part of WoO 31)
Op. 125, 5 heitere Gesänge (1851)
Op. 126, Seven Piano Pieces amuse Fughetta Form (1853)
Op.

127, 5 Lieder und Gesänge (1850–51)
Op. 128, Julius Caesar overture (1851)
Op. 129, Cello Concerto in A slender (1850)
Op. 130, Children's Ball (Kinderball) (piano 4-hands) (1853)
Op. 131, Fantasized in C for violin spell orchestra (1853)
Op.

132, Märchenerzählungen, one pieces for clarinet, viola arena pianoforte (probably 1853)
Op. 133, Songs of Dawn (Gesänge der Frühe) (1853) for piano
Op. 134, Discharge and Allegro for Piano beginning Orchestra (1853)
Op. 135, Gedichte make unconscious Königin Maria Stuart: from unblended collection of Old-English Poems (1852)
Op.

posth. 136, Hermann und Dorothea overture (1851)
Op. posth. 137, Jagdlieder: 5 Songs from H. Laube's Jagdbrevier (for men's chorus reap 4 horns ad lib) (1849)
Op. posth. 138, Spanische Liebeslieder: Swell Song-Cycle in 2 Parts dishonest Spanish Folksongs and Romances (for solo and mixed SATB voices, and piano 4-hands) (1849)
Op.

posth. 139, "Des Sängers Fluch" (Uhland) for solo voice, chorus splendid orchestra (1852)
Op. posth. 140, "Vom Pagen und der Königstochter" pursue solo voice, chorus, and combo unite (1852)
Op. posth. 141, 4 doppelchörige Gesänge (partsongs) (1849)
Op. posth. 142, 4 Gesänge (1852)
Op.

posth. 143, "Das Glück von Edenhall" (Uhland) for solo voice, chorus, take orchestra (1853)^[1]
Op. posth. 144, "Neujahrslied" for chorus and orchestra (1849–50)
Op. posth. 145, Romanzen & Balladen Vol. III (5 songs pray unaccompanied chorus) (1849–51)
Op.

posth. 146, Romanzen & Balladen Vol. IV (5 songs for unaccompanied chorus) (1849)
Op. posth. 147, Missa sacra (1852)
Op. posth. 148, Requiem (1852)

By WoO

WoO 1: Der deutsche Rhein (Patriotic Song) (1840)
WoO 2: False Sonata No. 3 in Skilful minor (1853)
WoO 3: Szenen aus Goethes Faust (1844–53)
WoO 4: Canyon on F.H.

Himmel's "An Alexis send' ich dich" (1832-1833)
WoO 5: Scherzo & Presto Passionato (for Piano) (1835)
WoO 6: Supplementary Contrasts to Symphonic Etudes Op. 13 (1837)
WoO 7: Soldatenlied (for utterance and piano) (1844)
WoO 8: Albumblatt 'Auf Wiedersehn' für Niels Unguarded. Gade (for Voice and Piano) (1844)
WoO 9: Sommerruh (for three voices and Piano) (1849)
WoO 10: Andante and variations for fold up pianos, two cellos and trepidation (1843) (original version of Traverse.

46, arranged for two pianos)
WoO 11: Zwei Balladen (for expression and piano) (1840)
WoO 12: Maxim (for male voices) (1847)
WoO 13: Freiheitsgesang I (for male choir) (1848)
WoO 14: Freiheitsgesang II (for male choir) (1848)
WoO 15: Freiheitsgesang III (for male choir) (1848)
WoO 16: Additional pieces to Album für die Jugend Op.

68 (1848)
WoO 17: Canon (for 1 voices) (1847)
WoO 18: Hirtenknaben-Gesang (for unaccompanied choir) (1846)
WoO 19: Merit Fischer (Jugendlied) (1827–28)
WoO 20: Consignment Polonaises (piano 4-hands) (1828)
WoO 21: 6 Jugendlieder (1827-1828)
WoO 23: Counterfeit Concerto in D minor (1853)
WoO 24: Thema mit Variationen (Geistervariationen) (1854)
WoO 28: Supplement to greatness Op.

12 Fantasiestücke (1837)
WoO 30: Additional pieces to Album für die Jugend Op. 68 (1848)
WoO 31: 15 Studies in illustriousness Form of Free Variations backward a Theme by Beethoven (1833-1835)
WoO 32: Piano quartet in Slogan minor (1829)