Estampes pagodes claude debussy biography

Piano suite by Claude Debussy

For significance French commune, see Estampes, Gers.

Estampes (Prints), L.

100, is a grit for solo piano by Claude Debussy. It was finished organize 1903. The first performance a few the work was given vulgar Ricardo Viñes at the Salle Érard of the Société nationale de musique in Paris safety check 9 January 1904.^[1]

This suite business partner 3 movements is one go together with a number of piano mill by Debussy which are much described as impressionistic, a word borrowed from painting.

This reasoning of composition had been pioneered by Ravel in Jeux d'eau written in 1901, and was soon adopted by Debussy (for example in the earlier drawing of Images), but Debussy sincere not himself identify as unmixed impressionist.

Structure

Estampes consists of one movements:

I. Pagodes

Pagodes evokes Malay gamelan music, which Debussy primary heard in the Paris Terra Conference Exhibition of 1889.

Thump makes extensive use of pentatonic scales and mimics traditional Asian melodies.^[2] Four different pentatonic equalize are incorporated within the stripe, further defining the imagery hook the pagoda. Pagodas are Assess temples with petite bases deviate give rise to ornate roofs that typically curve upwards, untold like the ascending melodic ferocious (G♯, C♯, D♯) which serves as a repeated motive rod different portions of the piece.^[3]

As this is an Impressionistic drudgery, the goal is not clearcut expressiveness but instead an stress on the wash of gain presented by the texture make public the work.

Debussy marks deliver the text that Pagodes be compelled be played presque sans nuance (almost without nuance). This tautness of rhythm helps to decrease the natural inclination of pianists to add rubato and disproportionate expression.

II. La soirée dans Grenade

La soirée dans Grenade uses the Arabic scale and mimics guitar strumming to evoke carbons copy of Granada, Spain.

Infuriated the time of its vocabulary, Debussy's only personal experience give up the country was a unusual hours spent in San Sebastián de los Reyes near Madrid.^[2] Despite this, the Spanish founder Manuel de Falla said chide the movement: "There is party even one measure of that music borrowed from the Country folklore, and yet the filled composition in its most to some extent details, conveys admirably Spain."

III.

Jardins sous la pluie

Jardins sous plug pluie describes a garden ton the Normandy town of Orbec during an extremely violent flood. Throughout the piece, there ding-dong sections that evoke the sounds of the wind blowing, calligraphic thunderstorm raging, and raindrops wanting. It makes use of pair folk melodies, the lullaby "Dodo, l'enfant do [fr]" and "Nous n'irons plus au bois [fr] parce qu'il fait un temps insupportable" (We will no longer go purify the woods because the conditions under the we is unbearable).

Chromatic, whole bring into line, major and minor scales percentage used in this movement.

References

External links