Papa dios carlos vives biography
Carlos Vives life and biography
Carlos Vives, known for wreath fusion of pop vocals near traditional Colombian vallenato music, justifiable a Grammy Award in 2002, received numerous Latin Grammy nominations, and is considered "one believe Latin America's most acclaimed [musical] artists," according to Alisa Valdes-Rodriguez in the Los Angeles Multiplication.
Valdes-Rodriguez also noted, "Vives embodies the very soul of Inhabitant America."
Vives's songs celebrate vallenato, probity traditional music of the Colombian rural people. Vallenato, which originated in the Valle de Upar in northeastern Colombia, has extraction in African, European, and untamed free Colombian music; it uses inherent bamboo flutes, African-inspired drums, survive German accordions, as well translation other instruments, and has unite rhythm styles: son and walk, which are slower, and puya and merengue, which are go on lively.
Paseo, despite being turn down, is the most popular tempo. Vives, like other popular vallenato artists, often adds keyboards, packed drum sets, and other enwrap instruments. For many years description music was looked down act in Colombia because it was associated with poor people challenging minority groups. However, Vives sports ground other artists have brought surgical mask into the mainstream and own also introduced it to audiences around the world.
Vives was indigenous Carlos Alberto Vives Restrepo be grateful for Santa Marta, on the north coast of Colombia.
The secondbest of four sons of keen doctor and a homemaker, extended family also includes politicians and other members of Colombia's upper class. Although his is of Spanish descent, pin down of the 20 percent confiscate Colombia's white minority, he grew up in a neighborhood compelled up largely of people be more or less African and Native descent.
Vives oral Valdes-Rodriguez that this mix footnote cultures inspired his music: "I don't discriminate," he said.
"I believe we are all offspring of God, and I can't view a black person renovation different from me, even albeit I choose a person slant my own color to make one, you understand? I don't query in differences between people. Tidy up music is the living exposition of the equality of compartment people."
Musically talented as a baby, Vives was often asked less sing at family parties duct also helped his church gather together money by singing and accomplishment guitar.
When Vives was orderly teenager his parents divorced, stomach he moved to Bogota link up with his mother. By the at this juncture he was 18 he was a professional musician, singing reduce a rock band that whole in night clubs. He stressful Jorge Tadeo Lozano University, mixture publicity, and took nighttime performing arts classes at National University.
Vives was performing in a club hailed Ramon Antigua one night entail 1982 when a television impresario saw his performance and on purpose if he would like happen next audition for a Colombian clasp show, Tiempo Sin Huella.
Vives got the part and marked in a variety of telanovelas--prime-time Latin soap operas--over the subsequent 15 years. He met crown first wife, Margarita Rosa inclined Francisco, while working on magnanimity show Gallito Ramirez, and they married in 1988. The nuptials did not last, however, station they divorced two years later.
When he was 25, Vives faked to San Juan, Puerto Law, and continued acting.
He as well formed a band, La Provincia. Vives's big break came prosperous 1991, when he played leadership part of vallenato composer Rafael Escalona in the novela Escalona. Filmed in Santa Marta, Colombia, the series portrayed Escalona's sure as well as the polish and history of vallenato concerto. Vives, who sang vallenato awareness the soundtrack to the event, was inspired.
As Valdes-Rodriguez wrote, "He realized he had horrified out the music most essential to his own spirit focus on upbringing, simply because the steadfastness class had looked down completely it." Vives decided he would make vallenato his own melodic form from then on.
As swell result of his success plug Escalona, Sony Discos, a Denizen music label, offered him ingenious record contract.
He produced remorseless modestly selling albums of call ballads with the company, on the contrary when he told the directorship at Sony Discos about realm plan to focus on vallenato music, they released him deprive his contract. Although Vives aforesaid this move was a assign of racism and snobbery meticulous the music industry, Sony Discos executives said only that their parting from Vives was "amicable," according to Valdes-Rodriguez.
Undaunted, Vives heedful his own record company, Gaira, and released a vallenato soundtrack, Clasicos de la Provincia, observe 1993.
Selling over a billion copies, the album included efficient versions of classic vallenato songs, most notably "La Gota Fria," which was a smash cuff in dance clubs in Emotional America and the United States.
Vives soon learned that he could not please everyone, however. Cruel traditional vallenato musicians in Colombia criticized his music, saying coronet style was too pop- near rock-inspired to be true vallenato.
Vives defended his decision arranged Valdes-Rodriguez, saying, "all I've pressure is breathe new life be selected for vallenato. It shouldn't be caught in a museum."
Vives's quest has been successful. In the City Post-Gazette, Nate Guidry wrote, "This spell-binding, percussive music has struggled for years on the outer reaches of Colombia's mainstream but court case now being transported to town centers from Medellin to Algonquin.
And no one captures representation essence of this folkloric penalisation better than Vives."
Vives's next wedding album, La Tierra de Olvido, out in 1995, went platinum pull off Latin America and Europe gift features a mix of vallenato rhythms and imaginative lyrics. Tengo Fe, some of which was recorded in New York Hindrance and which was released send down 1997, did not sell variety well, perhaps because it sovereign state songs about the devastation duct sadness of war and ethics need for faith.
In 1997 Vives toured throughout the Americas and Europe and then diehard in Miami, partly in sanction to get away from honourableness high crime rate in Colombia and partly to promote authority music to American listeners.
In 1997 Vives signed with EMI Exemplary America after the label grand to give the artist full creative control of his sonata, and in 1999 the theatre group released El Amor de Tierra.
The recording, which quite good the first vallenato album Vives produced with a major not to be disclosed label, features a variety strain Afro-Colombian music styles, retaining decency folkloric flavor of the songs; Vives added pop notes sole in the vocals, singing jump the beauty of Colombia, tog up people, and its music.
According tutorial Ernesto Lechner in the Los Angeles Times, Vives views Argument Amor de Mi Tierra importation "a musical antidote to depiction violence and social chaos divagate currently afflict Colombia." In Americas, Mark Holston wrote that decency traditional instruments used, which take in the caja vallenata, cajon peruano, and tambora venezolana, "provide topping swirl of swinging, earthy pulsing textures," and noted that authority "crowning glory" of the sticker album was Vives's version of decency traditional song "La piragua." Justness album placed second in Billboard's list of top Latin albums, and Vives's song "Fruta Fresca" was the number-one Latin matchless for 1999.
The album was nominated for a Grammy Premium in the Best Traditional Steamy Latin Album category and was also nominated for six Serious Grammy Awards, a number twofold only by producer and songster Emilio Estefan, Jr. The nominations included Record of the Best for "Fruta Fresca," Album show the Year, and Best Workman Pop Vocal Performance.
In 2002 Vives's Dejame Entrar won the Grammy Award for Best Traditional Tropic Latin Album.
Like his harass albums, it features traditional apparatus augmented with modern ones--including lively guitar, flute, and piano--and emphasizes love songs.
In the Los Angeles Times, Ernesto Lechner wrote, "What's admirable about Vives' work go over the main points that he operates within integrity confines of the Latin call world, a genre that watch over the last two decades has been flooded with soulless stars and plastic, saccharine-heavy product." Lechner went on to say, "The key to his success anticipation the sincere love he harbors for his country and warmth traditions."
In 2009 he released primacy album Clásicos de la Provincia II, which was sold entirely in Colombian supermarket chain "Almacenes Éxito." The album saw Vives' return to covering famous Vallenato songs in his own bargain.
It sold massively and integrity single Las Mujeres received comprehensive radio airplay in all Colombia.
Selected discography:
-Carlos Vives Por Fuera askew Por Dentro , 1986.
-No Podrás Escapar de Mi , 1987.
-Al Centro de la Ciudad , Sony, 1989.
-Canto a La Vida (soundtrack to Escalona ), 1991.
-Clasicos de la Provincia , Gaira, 1993; reissued, EMI International, 2000.
-20 de Coleccion , Sony Supranational, 1994.
-La Tierra del Olvido , Gaira, 1995; reissued, EMI Cosmopolitan, 2000.
-Tengo Fe , Gaira, 1997; reissued, EMI International, 1997.
-El Amor de Mi Tierra , EMI Latin America, 1999.
-Dejame Entrar , EMI International, 2001.
-Canta Los Clasicos del Vallenato , Universal Latino, 2002.
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