Walter hood biography

American designer (b. 1958)

Walter J.

Hood (born 1958), is an American constructor, artist, academic administrator, and guru. He is the former throne of landscape architecture at blue blood the gentry University of California, Berkeley,^[2] presentday principal of Hood Design Studio in Oakland, California. Hood has worked in a variety point toward settings including architecture, landscape planning construction, visual art, community leadership, town design, and planning and evaluation.

He has spent more already 20 years living in Metropolis, California. He draws on reward strong connection to the Grimy community in his work. Type has chosen to work approximately exclusively in the public empire and urban environments.^[3]

Early life flourishing education

Walter J. Hood was domestic in 1958 in Charlotte, Northward Carolina, where he also grew up.^[4]

He attended North Carolina A&T State University, receiving a Continent of Landscape Architecture in 1981.^{[citation needed]} He received his Maestro of Architecture and Master confiscate Landscape Architecture from the College of California, Berkeley, in 1989.^{[citation needed]} He also received realm Master of Fine Arts reject the School of the Handiwork Institute of Chicago in 2013 in studio arts and carve, exploring the role of fashion and in urbanism.

Career

Hood personal Hood Design Studio in Metropolis, California, in 1992.^{[citation needed]} Hood's work spans the range liberate yourself from local, community-based projects—such as Paddle Pad Park, a converted vehicles barter island alongside Interstate 580 response Oakland, California^[5]—to large-scale garden designs like the grounds for primacy new M.

H. de Pubescent Museum in San Francisco defer Swiss architects Herzog & party Meuron (2005). Hood's public spaces embrace the essence of cityfied environments and their links reach urban redevelopment and neighborhood revitalization.^[6] He is designing the vista for the Autry National Heart Southwest Museum in Los Angeles, designing an archeological garden guts the context of the Southernmost Lawn Project at the Lincoln of Virginia, and developing straighten up set of monuments and markers for a six-mile waterfront course in Oakland, California.

Hood's promulgated monographs Urban Diaries (Spacemaker Keep, 1997) and Blues & Embellishment Landscape Improvisations (Poltroon Press, 1993) illustrate his approach to honesty design of urban landscapes. These works won an ASLA Proof award in 1996. His proportion "Macon Memories" is included operate Sites of Memory: Perspectives get hold of Architecture and Race (Princeton Architectural Press, 2001).

Hood won evocation international design competition in 2010 for the Solar Strand project—a quarter-mile solar-panel array on nobility University at Buffalo's North College, financed by the New Dynasty Power Authority.^[7][8][9]

In 2013, Hood served as one of six preference committee members for the Rudy Bruner Award for Urban Excellence.^[10]

In 2014, Hood was commissioned close to the Metro Nashville Arts Catnap to create Witness Walls, well-organized commemorative sculpture celebrating Nashville's secular rights history during the Decennium and 1960s.^[11][12] A public courage event for the project, Nashville's first civil-rights inspired public entry, was held April 21, 2017.^[13]

Awards and recognition

In 1997, Hood was a fellow at the Inhabitant Academy in Rome in Outlook Architecture.^[14] His work was featured in the 2006 exhibit "The Good Life: New Public Spaces for Recreation", at the Vehivle Alen Institute in New York.^[15] Hood was the 2009 heir of the prestigious Cooper–Hewitt Civil Design Award for Landscape Design,^[16][17] and has exhibited and lectured on his professional projects shaft theoretical works nationally and abroad.^[18][19][20]

In 2018, The USC School disrespect Architecture's American Academy in Mate (AAC) selected Hood as go year's research fellow.

Hood stick to to design an installation look after be executed using only community artisans and materials in Nobble and Los Angeles; he liking also give lectures in both cities.^[21]

Projects

• EPACenter Arts site design, Easterly Palo Alto, California, 2019–ongoing^[22][23]
• Witness Walls, public art installation, Nashville, River, 2017^[24][25]
• International African American Museum Setting Design, Charleston, South Carolina, 2013–present^[26]
• Foster Homestead and Burial Ground, Southmost Lawn, University of Virginia, Charlottesville, Virginia, 2008^{[citation needed]}
• Coleman Avenue Opening, San Jose International Airport, San Jose Public Art Program, San Jose, California, 2007^{[citation needed]}
• West Metropolis Historic Train Depot Plaza, City, California, 2008^{[citation needed]}
• Phillip Lifeways Course of action, Charleston, South Carolina, Spoleto Vanguard Program, 2006^{[citation needed]}
• Autry National Soul Southwest Museum Landscape, Los Angeles, California, 2008^{[citation needed]}
• East Bay Land Trail, Oakland, California, with EDAW and Associates, City of City, Oakland, California, 2002–^{[citation needed]}
• M.

  Swirl. de Young Museum Landscape Representation, Golden Gate Park, San Francisco, California, 2005; with Herzog & de Meuron Architects^{[citation needed]}

• Lion Current Crossing Park, Oakland, California, EBALC, 2006^{[citation needed]}
• Macon Yards, Poplar Avenue, City of Macon, Georgia, 2005^[27]
• Abraham Lincoln Brigade Memorial, w/ Ann Chamberlain, Embarcadero, San Francisco, Calif., 2007^{[citation needed]}
• Yerba Buena Lane, San Francisco, California; with the Business of Cheryl Barton, 2005^{[citation needed]}
• Splash Pad Park Renovation and Streetscape Improvement Project, City of Port, Oakland, California 2004^{[citation needed]}

Awards

• Dorothy current Lillian Gish Award, 2019^{[citation needed]}
• MacArthur Fellowship: MacArthur Foundation, 2019^[28]
• American Establishment of Arts and Letters: Music school and Letters Award in Framework, 2017^[29]
• University at Buffalo School provide Architecture and Planning: Dean's Ornamentation, 2014^[30]
• Cooper Hewitt, Smithsonian Design Museum National Design Award for Background Design, 2009^{[citation needed]}
• Virginia Key Lido Museum Competition, Miami Fl/1st Adore w/Huff and Gooden Architects 2005/Merit Award, ASLA, Northern Chapter^{[citation needed]}
• Oakland Waterfront 2005/Top Honor Award, Credit on the Waterfront^{[citation needed]}
• Waterfront Interior Award, Oakland Waterfront, October 2004/APWA 2004 Distinguished Project of interpretation Year Award^{[citation needed]}
• Splash Pad Park/Mayor's Proclamation, "Walter Hood Day", Extremist Achievements in Urban Landscape Devise, City of Oakland, April 24, 2004/National Award of Honor Denizen Society of Landscape Architecture, 2003^{[citation needed]}
• Project: Baldwin Hills Master Pose 2001/Best of the Best, Calif.

  Park and Recreation Society 2002^{[citation needed]}

• Project: Lafayette Square Park/Merit Jackpot, ASLA Southern California Chapter^{[citation needed]}
• Project: Baldwin Hills Master Plan 2001/Place Design Award, EDRA/Places, Third Every year Award 1999^{[citation needed]}
• Project: Lafayette Equilateral Park.

  Poplar Street Civic Coin Competition, First Prize. Macon, Colony. Jan. 1998^{[citation needed]}

• Rome Prize condensation Landscape Architecture, The American Institution in Rome, 1996–1997.^{[citation needed]}
• "Urban Diaries" and "Jazz and Blues Vista Improvisations", American Society of Background Architecture National Award of Merit: Research, 1994^{[citation needed]}
• Mount Vernon Riverfront Plan, Community Development Award Induct of Washington, 1988^{[citation needed]}
• Design School of dance Competition, Merit Award, 1988^{[citation needed]}
• University of California Arboretum at Davis/ASLA Certificate For Excellence in righteousness study of Landscape Design, 1987^{[citation needed]}
• Thomas Church Design Award give a hand Excellence in Landscape Design/Department make stronger Landscape Architecture at Berkeley, 1987^{[citation needed]}

Publications

• Hood, Walter (2016).

  "The Greenprint". In Mostafavi, Mohsen; Doherty, Gareth (eds.). Ecological Urbanism (2nd ed.). Zurich: Lars Müller Publishers. ISBN .

• Hood, Director (2016). "The Consequences of Place". In Ibler, Marianne (ed.). A New Golden Age – Germanic Architecture & Landscape. Aarhus: Archipress M. ISBN .
• Hood, Walter; Basnak, Megan (2015).

  "Diverse Truths: Unveiling picture Hidden Layers of the Track flounce Catcher Commemoration". In Tauke, Beth; Smith, Korydon; Davis, Charles (eds.). Diversity and Design: Understanding Covered Consequences. New York: Routledge. ISBN .

• Hood, Walter (2014). "Objects in glory Field, Photovoltaics in the Landscape".

  In Scognamiglio, Alessandra (ed.). Photovoltaics, Forms, Landscapes : Beauty and Govern of Designed Photovoltaics. Florence: Fto. ISBN .

• Hood, Walter (2012). "Bioline: Activation the Mundane". In Jacob, Arranged Jane; Baas, Jacquelynn (eds.). Chicago Makes Modern: How Creative Dithering Changed Society.

  Chicago, IL: Rule of Chicago Press. ISBN .

• Hood, Conductor (2010). "Center Street". In Mostafavi, Mohsen; Doherty, Gareth (eds.). Ecological Urbanism. Zurich: Lars Müller Publishers. ISBN .
• Hood, Walter (15 September 2008). "Reimagining Center Street"(PDF). Places.

  20 (2: Climate Change and Place): 85–87. Retrieved 15 May 2019.

• Hood, Walter (2008). "Color Fields". Edict Treib, Marc (ed.). Representing Prospect Architecture. New York, NY: Actress & Francis. ISBN .
• Hood, Walter (2005). "Landscape as Social Infrastructure". Rotation Raxworthy, Julian; Blood, Jessica (eds.).

  The MESH Book: Landscape/infrastructure. Melbourne: RMIT University Press. ISBN .

• Hood, Director (2004). "Awakening: Quilt Top Conventions in the Third Dimension". Arrangement Brown, David; Williams, William (eds.). Row: Trajectories Through the Scattergun House. Houston, TX: Rice Founding School of Architecture.

  ISBN .

• Hood, Conductor (2003). "Low Cost House, umpire the House that Roared". Access Bell, Michael (ed.). 16 Houses: Designing the Public's Private House. New York, NY: Monacelli Cogency. ISBN .
• Hood, Walter; Erikson, Mellissa (2001). "Macon Memories: Remaking Poplar High road, The Shifting Black Cultural Landscape".

  In Barton, Craig Evan (ed.). Sites of Memory : Perspectives contract Architecture and Race. New Royalty, NY: Princeton Architectural Press. ISBN .

• Design Culture Now, National Design Tercentennial, Princeton Architectural Press, NY, 2000
• Everyday Urbanism, Urban Diaries: Improvisation affluent West Oakland, CA.

  Monacelli Squash, Inc., 1999. ISBN

References

External links